The caocaphony of the efferent dissolution of the New Digital Media

Socio-Political Rants

I just like this paragraph describing the phenomenon of publishing multiple realities that we are all now part of because how many big words can you fit in and actually have it make sense? And how many free papers filled with advertising of 1-900-numbers, Wanted tri-curious dairy substitute fetishist, and dodgy apartments that fit 9 people in a three bedroom space will allow their staff to write like that? The LA weekly of Course. I love the LA weekly.

Throughout the ’90s, thousands of disaffected youth, disenfranchised from materialist culture, found themselves unsupervised and at the controls of a panoply of new digital media. Almost overnight, billboard modification became a high art. Erotic glitches started to pop up in video games and DVDs. And the Internet hosted an explosion of parallel realities, political by default in their divergence from the narrowing strictures of corporate media agendas. Here was a new creative medium with unfathomable potential political impact, unconstrained by the reactionary dismissiveness and crypto-fascist academic hermeticism that have effectively eliminated politics from the art world since the mid-’70s.

The Yes Men Are Coming! The Yes Men Are Coming!
By Doug Harvey LA Weekly Writer
Fri Sep 24, 6:57 PM ET

Published by Yan Sham-Shackleton

Yan Sham-Shackleton is a Hong Kong writer who lives in Los Angeles. This is her old blog Glutter written mostly in Hong Kong from 2003 to 2007. Although it was a personal blog, Yan focused a lot on free speech issues and democratic movement in Hong Kong. She moved to the US in 2007.

4 thoughts on “The caocaphony of the efferent dissolution of the New Digital Media

  1. Interesting, funny article. You’re right that paragraph does have a lot of big words in it, my favourite bit is “crypto-fascist academic hermeticism” huh? lol
    You say they have ads for tri curious dairy substitute fetishists? bugger, I wish it was in Australia! (Just kidding :P)

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